Programme: English
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Item Exploring History, Migration and Social Experience in Select Poems of Edward Kamau Brathwaite(Benin Journal of Literary Studies (BJLS) Vol. 1, No. 1, 2019-12) Onwuka, Edwin; Eyisi, JoyThis study examines Edward Kamau Brathwaite’s exploration of migration and social experience in his poetry as a vehicle of appraising Caribbean realities. Brathwaite’s poems will be interpreted using New Historicism as literary tool with a view to highlighting migration/journey motif as fundamental in exploring social realities as well as the human condition in the Caribbean society. This paper is a qualitative and library-based study of Brathwaite’s poems as literary art, focussing specifically on interpretation of their content which explores migration and social experience in the Caribbean world. Four selected poems are engaged in the study for their distinction in reflecting core concerns of the Caribbean enclave specifically dealing with social conditions and migration. These four poems are also used to highlight Brathwaite’s style to enhance the forcefulness of his message in them.Item Identity, History and Caribbean Experience in Select Poems of Derek Walcott(Covenant Journal of Language Studies (CJLS) Vol. 10, No. 2,, 2022-12) Onwuka, Edwin; Eyisi, JoyThis study examines how history has shaped social identity and the impacts of both on Caribbean experience in Derek Walcott’s poetry. Using New Historicism as theoretical framework, it critiques some Caribbean historical realities highlighted in the selected poems and their impacts on society at individual and societal levels with particular emphasis on identity. Four poems from different collections of Walcott are analyzed in this paper, which are “Codicil”, “The River”, “Love after Love” and “The Sea is History”. The conclusions of this critical engagement show clearly that identity in Caribbean reality is inescapably tied to the traumatic history of displacement, enslavement, migration and alienation of the Caribbean peoples.Item TRADITION AND LEADERSHIP IN ELECHI AMADI’S THE GREAT PONDS(International Journal of Social Sciences and Humanities Reviews Vol.11 No.1, 2021-01) Onwuka, Edwin; Awogu-Maduagwu Edith AbisolaExplorations of indigenous African traditions in pre-colonial and colonial African societies in imaginative literatures have historical and aesthetic values. Historical for the great insights they offer on the human condition and social experience in pre-literate communities; and aesthetic for the refreshing and exciting images of the African world recreated through the human imagination and the genius of gifted writers. Elechi Amadi’s The Great Ponds is a quintessential novel that imaginatively recreates an authentic African community totally regulated by its tradition to the exclusion of any Western or foreign influence. This paper explores tradition as a central motif in the novel with an aim to highlight its centrality in regulating social existence and communal harmony in the society depicted in the text. It also interrogates leadership and the models reflected in the novel on political and military planes. The study is a qualitative and library based one limited to content analysis of the novel in focus. It therefore contributes to criticism on the nexus of history and literature. It highlights supernatural and mythical social experiences through analyses of traditional world-views about gods, ancestors, the dibia, and leadership in traditional Igbo societies. New historicism is the theoretical perspective deployed in the paper.